Bounding into “Mind Hunt,” the first track, with buoyancy and immediate claim to the listener’s attention, Pietilä’s trio puts forth its strengths up front that carry it through the remainder of the album: the group’s engaged absorption in the music, the members’ interest in the infinite potential of the sounds they can create, their openness for free improvisation and the elaboration upon the conventional roles of their instruments. The result is a recording by matured and explorative musicians whose enjoyment in the process of playing jazz comes through in each of the12 tracks.
Pietilä injects immediacy and surprise into his playing by going for unplanned gems that like-minded interaction can discover through spontaneous playing. Pietilä doesn’t include any chorded instruments in his trio, and with good reason: His interests are as much about implication—the spaces between the dots he punches out—as about literal adherence to pre-written composition.
Although Esa Pietilä’s recordings aren’t as heavily promoted as those of saxophonists on larger labels, his work is that of an always explorative saxophonist, accessible though with a personal perspective toward the music he plays. And “Direct” is the work of a jazz artist worth the search. Whole article at: www.jazzreview.com

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